Antonio Enríquez Gómez
- View a machine-translated version of the Spanish article.
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Antonio Enríquez Gómez]]; see its history for attribution.
- You may also add the template
{{Translated|es|Antonio Enríquez Gómez}}
to the talk page. - For more guidance, see Wikipedia:Translation.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Michel_lasne-antonio_henr%C3%ADquez_g%C3%B3mez-Academias_morales_de_las_musas.jpg/220px-Michel_lasne-antonio_henr%C3%ADquez_g%C3%B3mez-Academias_morales_de_las_musas.jpg)
Antonio Enríquez Gómez (c. 1601 – c. 1661), Spanish dramatist, poet and novelist of Spanish-Jewish origin, was known in the early part of his career as Enríque Enríquez de Paz. Furthermore, certain of his works feature the alternate spelling Antonio Henrique Gómez.
Born into a family of Conversos at Segovia, Gómez entered the Spanish Army, where he obtained a Captaincy. Captain Gómez was suspected of Crypto-Judaism, or being, "a Marrano", and fled to France about 1636. He adopted the name Antonio Enríquez Gómez, and became major-domo to King Louis XIII of France, to whom he dedicated Luis dado de Dios 4 Anna (Paris, 1645).
Some twelve years later he moved to Amsterdam, where he announced his conversion to Judaism. In response, the Spanish Inquisition had Gómez burned in effigy at Seville on April 14, 1660. He returned to France, and died there in the following year.[1]
Writings
Three of his plays, El Gran Cardenal de España, don Gil de Albornoz, and the two parts of Fernán Mendez Pinto (based on the life of the Portuguese explorer Fernão Mendes Pinto) were received with great applause at Madrid about 1629; in 1635 he contributed a sonnet to Montalbán's collection of posthumous panegyrics on Lope de Vega, to whose dramatic school Enríquez Gómez belonged. The Academias morales de las Musas, consisting of four plays (including A lo que obliga el honor, which recalls Calderón's Médico de su honra) was published at Bordeaux in 1642; La torre de Babilonia, containing the two parts of Fernán Mendez Pinto, appeared at Rouen in 1647; and in the preface to his poem, Sansón Nazareno (Rouen, 1656), Enríquez Gómez gives the titles of sixteen other plays issued, as he alleges, at Seville. There is no foundation for the theory that he wrote the plays ascribed to Fernando de Zárate.[1]
According to the Encyclopædia Britannica Eleventh Edition, "[h]is dramatic works, though effective on the stage, are disfigured by extravagant incidents and preciosity of diction. The latter defect is likewise observable in the mingled prose and verse of La culpa del primer peregrino (Rouen, 1644) and the dialogues entitled Política angélica (Rouen, 1647). Enríquez Gómez is best represented by El siglo pitagórico y vida de don Gregorio Guadana (Rouen, 1644), a striking picaresque novel in prose and verse which is still reprinted."[1]
Publications
- J. Amador de los Rios, Estudios históricos, políticos, y literarios sobre los judíos de España (Madrid, 1848)
References
- ^ a b c
One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Enriquez Gomez, Antonio". Encyclopædia Britannica. Vol. 9 (11th ed.). Cambridge University Press. p. 652.