Dada Jazz
Dada Jazz was a Yugoslav Dadaist single issue publication published in Zagreb in September 1922 and edited by Dragan Aleksić. Aleksić published Dada Tank as a response to Branko Ve Poljanski and his brother Ljubomir Micić's anti-Dada publication Dada-Jok from May 1922. Although Dada Jazz has been characterized as a mere footnote to Dada Tank, it was in fact intended as a "Dada anthology", analogous to Richard Huelsenbeck's Dada Almanach.[1]
Background
After falling out with the representative of Dada in Yugoslavia, Dragan Aleksić, the Zenitists Branko Ve Poljanski and Ljubomir Micić published an anti-Dada single issue publication in May 1922 called Dada-Jok. Through a skillful, reflexive parody of the movement, the editor Poljanski sought to expose Dada's limits as an artistic and spiritual current, proposing Zenitism in its stead. As a response, Aleksić published two single-issue pamphlets of his own – Dada Tank in June and Dada Jazz in September 1922.[1]
Contents
Dada Jazz reprinted Dragan Aleksić's 1921 essay "Dadaism" from Zenit, subtly reminding people of his seniority over Ljubomir Micić. It included a major text by Tristan Tzara, titled "Manifeste de Monsieur Aa, l'antiphilosophe" (Manifesto of Mr Aa the Antiphilosoper), as well as Tzara's short verse "Colonial Syllogism", alongside a poem by Aleksić. On the centerfold two pages was printed the typographic picture-poem "Smaknu" (Execution), a translation into Serbo-Croatian of a Hungarian poem by Ádám Csont that had originally appeared, like Erwin Enders's "Greek Fire" published in Dada Tank, in the May 1922 issue of the Vienna-based publication MA. Tzara's work in Dada Jazz was published in its original French.[2]
Although Dada Jazz has been characterized as a mere footnote to Dada Tank, it was in fact a very different project. Its cover designated it to be a "Dada anthology", analogous to Richard Huelsenbeck's Dada Almanach, which Aleksić had translated and excerpted in Dada Tank.[1]
Legacy
In the late 1960s, novelist Bora Ćosić published the first reprints of Dada Tank and Dada Jazz in the Neo-avantgarde pro-Fluxus magazine Rok.[3]
References
- ^ a b c Seely Voloder, Laurel; Miller, Tyrus (2013). "Avant-Garde Periodicals in the Yugoslavian Crucible" (PDF). The Oxford Critical and Cultural History of Modernist Magazines. 3. New York: Oxford University Press: 1099–1127. Retrieved 26 June 2020.
- ^ Đurić & Šuvaković 2003, p. 307.
- ^ Đurić & Šuvaković 2003, p. xvi.
Sources
- Đurić, Dubravka; Šuvaković, Miško (2003). Impossible Histories: Historical Avant-gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918-1991. MIT Press. ISBN 9780262042161. Retrieved 19 July 2020.
- v
- t
- e
- Dragan Aleksić
- Louis Aragon
- Jean Arp
- Johannes Baader
- Alice Bailly
- Hugo Ball
- André Breton
- Gabrièle Buffet-Picabia
- Serge Charchoune
- Arthur Cravan
- Jean Crotti
- Otto Dix
- Theo van Doesburg
- Marcel Duchamp
- Suzanne Duchamp
- Paul Éluard
- Max Ernst
- Julius Evola
- George Grosz
- Raoul Hausmann
- John Heartfield
- Emmy Hennings
- Hannah Höch
- Richard Huelsenbeck
- Iliazd
- Marcel Janco
- Elsa von Freytag-Loringhoven
- Clément Pansaers
- Francis Picabia
- Man Ray
- Georges Ribemont-Dessaignes
- Jacques Rigaut
- Henri-Pierre Roché
- Kurt Schwitters
- Walter Serner
- Philippe Soupault
- Sophie Taeuber-Arp
- Julien Torma
- Tristan Tzara
- Jacques Vaché
- Dada Manifesto
- 291 (magazine)
- 391 (magazine)
- The Blind Man (magazine)
- Dadaglobe
- Alfred Jarry
- Incoherents
- Eugène Bataille (aka Sapeck)
- Parade (ballet)
- Alfred Stieglitz (photographer, art promoter)
- Walter Conrad Arensberg (art collector)
- 291 (art gallery)
- Galeries Dalmau
- Found object
- Anti-art
- Anarchism and the arts
- Anti-anti-art
- Anti-poetry
- Appropriation (art)
- Art intervention
- Cabaret Voltaire
- Noise music
- Épater la bourgeoisie
- Shock art
- Beatrice Wood: Mama of Dada (1993 documentary)
- Man and Boy: Dada (2006 opera)