Equestrian Portrait of Elisabeth of France
- View a machine-translated version of the Spanish article.
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:La reina Isabel de Francia a caballo]]; see its history for attribution.
- You may also add the template
{{Translated|es|La reina Isabel de Francia a caballo}}
to the talk page. - For more guidance, see Wikipedia:Translation.
Equestrian Portrait of Elisabeth of France | |
---|---|
Artist | Diego Velázquez |
Year | c. 1635 |
Medium | Oil on canvas |
Dimensions | 301 cm × 314 cm (119 in × 124 in) |
Location | Museo del Prado, Madrid |
The portrait Equestrian Portrait of Elisabeth of France was painted by Diego Velázquez of Elisabeth of France circa 1635, originally for the Hall of Realms, originally a wing of the Buen Retiro Palace in Madrid.[1] It has been in the Museo del Prado since the gallery's institution in 1819.
History of the work
Velázquez had been commissioned to paint a series of five equestrian portraits of the royal family
- Felipe III and his wife Queen Margaret of Austria,
- Felipe IV, his wife Elizabeth of France and their son Baltazar Carlos. This last was smaller than those of the other family members, as it was intended to be hung on a door and therefore viewed from a lower perspective.
This work of Velázquez had significant input from members of his workshop. The technical studies conducted in the Prado Museum under the direction of Carmen Garrido indicated that the five equestrian portraits were painted at the same time and with the same preparation. The idea that Velázquez retouched a painting by an earlier painter to add detail to the queen's clothing and the trappings of the horse has received support from a number of critics; X-rays reveal a painting under the visible one, in which the horse's girth is visible and the queen's clothing is simpler than the existing one. Later, when Velázquez was finishing details in the queen's head and the horse's legs, a more patient painter filled in the meticulous details of the embroidery, thus obscuring details of the painting previously laid down.
Description of the work
The queen is depicted in profile, wearing a jacket with embroidered stars and a gold-embroidered skirt with her arms and initials. The horse is depicted as an overo with a long mane and forelock falling over its face, doing the passage gait; it is facing left in order to provide symmetry with the portrait of Elisabeth's husband, in which work he is facing right.
See also
References
- ^ Domínguez Ortiz, Antonio (1990). Velázquez : Museo del Prado, 23 enero/31 marzo 1990 (in Spanish). Diego Velázquez, Alfonso E. Pérez Sánchez, Julián Gállego, Museo del Prado. Madrid. p. 467. ISBN 84-87317-01-4. OCLC 21325055.
{{cite book}}
: CS1 maint: location missing publisher (link)
External links
- Queen Elisabeth of France on Horseback at the Museo del Prado
- v
- t
- e
- The Lunch (c. 1617)
- Old Woman Frying Eggs (c. 1618)
- The Farmers' Lunch (1618)
- Three Musicians (1618)
- The Waterseller of Seville (1618–1622)
- The Kitchen Maid (1620–1622)
- The Needlewoman (c. 1635–1643)
- The Triumph of Bacchus (1628–1629)
- Apollo in the Forge of Vulcan (1629)
- The Surrender of Breda (1634–1635)
- Mars Resting (1640)
- Rokeby Venus (c. 1647–1651)
- Female Figure (1648)
- Las Hilanderas (c. 1657)
- Christ in the House of Martha and Mary (1618)
- Saint Paul (1618–1620)
- Adoration of the Magi (1619)
- Joseph's Tunic (1630)
- Temptation of St. Thomas (1632)
- Christ Crucified (1632)
- Coronation of the Virgin (c. 1641–1644)
- The Nun Jerónima de la Fuente (1620)
- Don Luis de Góngora (1622)
- Philip IV in Armour (after 1623)
- Count-Duke of Olivares (1624)
- The Infante Don Carlos (1626–1627)
- Maria Anna (1630)
- Philip IV in Brown and Silver (1630s)
- Portrait of a Man (c. 1630)
- Prince Balthasar Charles with a Dwarf (1631)
- Don Juan Mateos (1632–1633)
- Doña Antonia de Ipeñarrieta y Galdós and Her Son Don Luis (1634)
- Count-Duke of Olivares (1635)
- Prince Balthasar Charles as a Hunter (1635)
- Juan Martínez Montañés (1635–1636)
- Pablo de Valladolid (1636–1637)
- Lady with a Fan (1638–1639)
- Philip IV in Fraga (1644)
- Francisco Lezcano (1645)
- Pope Innocent X (1650)
- Juan de Pareja (1650)
- Mariana of Austria (1652)
- The Infanta Maria Theresa of Spain (1652–1653)
- Infanta Margarita Teresa in a Peach Dress (1653–1654)
- Las Meninas (1656)
- Infanta Margarita in a White and Silver Dress (1656)
- Infanta Margarita Teresa in a Blue Dress (1659)
- Prince Philip Prospero (1659)
- Infanta Margarita Teresa in a Pink Dress (1660)
portraits
- Elisabeth of France (c. 1628–1636)
- Count-Duke of Olivares (1634)
- Margarita of Austria (1634)
- Philip III (1634–1635)
- Philip IV (1635–1636)
- Prince Balthasar Charles (1635)
- Prince Baltasar Carlos in the Riding School (1636)
- Calabacillas (1626–1632)
- Don John of Austria (1632–1633)
- Barbarroja (1633)
- Calabacillas (1637–1639)
- Sebastián de Morra (c. 1645)
- Don Diego de Acedo (1645)
- View of the Garden of the Villa Medici (c. 1630)
- Statue of Velázquez (1899, Madrid)
- El ministerio del tiempo (television series)