Iida Chōko
Iida Chōko | |
---|---|
飯田蝶子 | |
Born | Iida Tefu April 15, 1897 Asakusa, Japan |
Died | December 26, 1972 |
Occupation | Actress |
Iida Chōko (Japanese: 飯田 蝶子; April 15, 1897 – December 26, 1972) was a Japanese actress. Her real name was Shigehara Tefu.[1] She played working class women and grandmothers,[2] and appeared in more than 300 films. Her husband was cameraman Shigehara Hideo [ja].
Biography
Early life
Iida was born on April 15, 1897, in what is now Asakusa, Tokyo.[3] Though her father was a minor official with the Ministry of Communications, the family didn't have much money, so Iida was sent to live with her maternal grandmother at 2 years old.[4] Iida was the oldest of 5 children, but because of their poverty the children became malnourished and developed nyctalopia. After studying at a private elementary school, Iida entered the Ueno Koto Jogakko with her grandmother's help, and worked at an outdoor exhibition at night to help with the family's finances. She eventually found that she enjoyed working more than school. She stopped attending school for two months until the seasonal exhibition closed in autumn.[4]
Career as an actress
In 1913 Iida began working at the Matsuzakaya in Ueno.[5] She worked in several positions there, including in the sewing department and as a clerk.[4] In 1919, Iida began writing for an entertainment newspaper company in Nihonbashi. That autumn, Nakamura Matagoro [ja], a kabuki actor, put out an ad in the Miyako Shinbun for an actress to perform for a theater called the Asakusa Koen Gekijo. They hired Iida, but she found that all of her roles were of handmaidens. When the theater director died in 1920, the theater was dissolved. Iida applied to work at film studios, but was rejected.[4]
Entering Shochiku Kamata
In 1922 Iida and a friend from her newspaper days applied to work at the Shochiku Kamata Shashincho [ja]. They originally hired only Iida's friend, but one of Iida's colleagues who worked at Shochiku stepped in and encouraged them to hire her for supporting roles, like maids.[4]
In January 1923, Iida officially entered the company.[4] She debuted in the film Shi ni iku tsuma. Her first film that made her famous was Yami o iku, in which she was praised by director Yoshinobu Ikeda for playing a sexually unappealing laborer. Iida then received good reviews and a bonus for her role as an elderly woman in Kiyohiko Ushihara's Jinsei no Ai.[3] She briefly moved to another film studio after the 1923 Great Kanto Earthquake, but soon returned to the Kamata studio in January 1924.
Shochiku
In 1924, while playing a female factory worker in Ikeda's Sweet Home, Iida cut her lip on an apple crate during a scene in which she attacks Moroguchi Tsuzuya. She needed two stitches, and resolved to refine her acting skills.[4] In July of that year, Iida was asked to act in more comedies, like Yoshino Jiro [ja]'s "Gamaguchi". In 1925, Iida began training to become management with Kobayashi Tokuji [ja] and Futaba Kaoru [ja].[4][6] In 1926 Iida was officially promoted to upper management with Morino Goro [ja].[7] Iida married Hideo Shigehara, a camera operator, in 1927.[4] Shigehara worked often with Yasujirō Ozu, and Iida played supporting roles in many of his films, such as Days of Youth and Tokyo Chorus.[8][9] As the film world moved from silent movies to "talkies", Iida began studying rakugo. Her first sound film was Chushingura in 1932.[4] She later became known for her expressive acting style in Ozu's A Story of Floating Weeds.[10]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/e/ec/The_Only_Son-1_1936.jpeg/250px-The_Only_Son-1_1936.jpeg)
Post-war and death
Iida's first film after the war ended in 1945 was Heinosuke Gosho's Izu no Musumetachi. This film was also Iida's last film with Shochiku, and she left them to become a freelancer.[4] Her first post-war film with Yasujirō Ozu was Record of a Tenement Gentleman, in 1947. She also appeared in Akira Kurosawa's Drunken Angel and Stray Dog, Hiroshi Inagaki's Rickshaw Man, and Horikawa Hiromichi [ja]'s Hadaka no Taisho [ja]. She also played the main character's grandmother in Toho's Wakadaisho series. She also appeared in many television dramas. She was awarded a Medal of Honor in 1963, and an Order of the Sacred Treasure in 1967. In the same year, her husband died.
While filming a television drama on July 26, 1972, Iida's health suddenly worsened. She was taken to the hospital the next day, where she was diagnosed with pleurisy.[4] She died of lung cancer on December 26, 1972.[4]
Filmography
![](http://upload.wikimedia.org/wikipedia/commons/thumb/f/f2/Days_of_Youth-2_1929.jpg/230px-Days_of_Youth-2_1929.jpg)
Year | Title | Role |
---|---|---|
1923 | Shi ni iku tsuma | |
1928 | Body Beautiful [ja] | Ritsuko |
1929 | Treasure Mountain (1929) [ja] | Owner of the Umenoya |
Days of Youth | Chieko's aunt | |
I Graduated, But... | Boarding house owner | |
1931 | Tokyo Chorus | Teacher's wife |
1932 | Until the Day We Meet Again | Maid |
Chushingura (1932 film) [ja] | Fuwa Kazuemon's wife | |
Passing Fancy | Otome[10] | |
1933 | Every-Night Dreams | Proprietess |
Apart from You | Landlady of geisha house | |
1934 | A Mother Should Be Loved | Cleaning lady |
A Story of Floating Weeds | Otsune, Ka-yan[10] | |
Our Neighbor, Miss Yae | Hamako Hattori | |
1935 | An Inn in Tokyo | Otsune |
1936 | The Only Son | Tsune Nonomiya |
1937 | What Did the Lady Forget? | Chiyoko Sugiyama |
1940 | Nobuko | Okei |
1941 | Brothers and Sisters of the Toda Family | Kiyo the maid |
1946 | Aru yo no Tonosama | Okuma[11] |
1947 | Yottsu no Koi no Monogatari [ja] | Black market woman[11] |
Aru yo no Tonosama | Otane | |
Haru no Mezame [ja] | Tama Takemura[11] | |
1948 | Drunken Angel | Bāya |
1949 | Tonosama Hoteru [ja] | Teru[12] |
Stray Dog | ||
1950 | Conduct Report on Professor Ishinaka | |
A Mother's Love | ||
1952 | Rikon | Kikuyo |
1954 | Dobu | Tami |
1955 | Keisatsu Nikki | Tatsu |
Takekurabe | Otoki | |
The Eternal Breasts | ||
1956 | Mahiru no ankoku | Uemura Tsuna |
Romantic Daughters | Woman at the department store | |
1957 | Yellow Crow | |
Stepbrothers | Masu | |
1958 | Rickshaw Man | Otora (innkeeper) |
1961 | As a Wife, As a Woman[13] | |
1961–1970 | Wakadaisho series | Tanuma Riki |
1962 | A Wanderer's Notebook | Owner of the candy shop |
References
- ^ "飯田蝶子(いいだ ちょうこ)とは". コトバンク (in Japanese). Retrieved 2019-06-16.
- ^ Coates, Jennifer, 1942– (2016-10-01). Making icons : repetition and the female image in Japanese cinema, 1945–1964. Hong Kong. ISBN 9789888208999. OCLC 960835099.
{{cite book}}
: CS1 maint: location missing publisher (link) CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link) - ^ a b "飯田 蝶子 (イイダ チョウコ) とは". コトバンク (in Japanese). Retrieved 2019-06-16.
- ^ a b c d e f g h i j k l m 日本映画俳優全集・女優編. キネマ旬報社. 1980.キネマ旬報1980
- ^ 松坂屋「ひと・こと・もの」語り、2015年8月5日閲覧
- ^ 松竹九十年史 [90 years of Shochiku's history]. 松竹. 1985.
- ^ 日本映画事業総覧 昭和2年版. 国際映画通信社. 1926.
- ^ Joo, Woojeong (2017). The cinema of Ozu Yasujiro : histories of the everyday. Edinburgh. ISBN 9780748696321. OCLC 988184708.
{{cite book}}
: CS1 maint: location missing publisher (link) - ^ Ozu yasujirō o yomu : furukimono no utsukushii fukken. Firumu Ātosha., フィルムアート社. Tōkyō: Firumuātosha. 1982. ISBN 4845982439. OCLC 834592479.
{{cite book}}
: CS1 maint: others (link) - ^ a b c Russell, Catherine (2011). Classical Japanese Cinema Revisited. London: Continuum International Pub. Group. ISBN 9781441144614. OCLC 741492634.
- ^ a b c Nollen, Scott Allen (2019). Takashi Shimura : chameleon of Japanese cinema. Jensen, Paul M. Jefferson, North Carolina: McFarland. ISBN 9781476635699. OCLC 1090487695.
- ^ Galbraith, Stuart (2008). The Toho Studios story : a history and complete filmography. Lanham, Md.: Scarecrow Press. ISBN 9781461673743. OCLC 852899281.
- ^ "妻として女として". JMDB. Retrieved February 25, 2021.
External links
- Iida Choko at the Japanese Movie Database (in Japanese)