Madonna and Child with Two Donors (van Dyck)
Painting by Anthony van Dyck
Madonna and Child with Two Donors or The Madonna of the Two Donors is a 1630 painting by Anthony van Dyck, now in the Louvre, in Paris.
The identity of the two kneeling donors is unknown but they are probably a rich couple from Antwerp, where van Dyck was then working. It soon left its original location and is recorded in the collection of Louis XIV of France as early as 1685.
See also
Bibliography
- Gian Pietro Bellori, Vite de' pittori, scultori e architecti moderni, Torino, Einaudi, 1976.
- Didier Bodart, Van Dyck, Prato, Giunti, 1997.
- Christopher Brown, Van Dyck 1599-1641, Milano, RCS Libri, 1999, ISBN 88-17-86060-3.
- Justus Müller Hofstede, Van Dyck, Milano, Rizzoli/Skira, 2004.
- Stefano Zuffi, Il Barocco, Verona, Mondadori, 2004.
- v
- t
- e
Anthony van Dyck
- Entry of Christ into Jerusalem (1617)
- Crucifixion with the Virgin, Saint John and Saint Mary Magdalene (1617–1619)
- Saint Martin Dividing his Cloak (1618)
- The Brazen Serpent (c. 1618–1620)
- The Apostle Matthew (c. 1618–1620)
- The Crowning with Thorns (1618–1620)
- The Betrayal of Christ (1618–1620)
- Bristol
- Madrid
- Minneapolis
- Saint Ambrose barring Theodosius from Milan Cathedral (c. 1619–1620)
- Samson and Delilah
- 1620
- 1630
- Susanna and the Elders (c. 1631–1632)
- Madonna and Child (1621–1627)
- The Mocking of Christ (1628–1630)
- The Coronation of Saint Rosalia (1629)
- The Vision of the Blessed Hermann Joseph (1629–1630)
- Madonna and Child with Two Donors (1630)
- Rest on the Flight into Egypt (1630)
- Crucifixion (1630)
- The Resurrection (1631–1632)
- Madonna with Partridges (1632)
- Deposition / Lamentation over the Dead Christ
- 1615
- 1618
- 1619
- 1629
- 1629–1630
- 1634
- 1635
- 1640
(1624–1625)
- Houston
- London
- Madrid
- New York
- Ponce
- Palermo (studio work)
- Munich (autograph or studio)
- Drunken Silenus (1620)
- Jupiter and Antiope (1620)
- Diana and a Nymph Surprised by a Satyr (1622–1627)
- The Shepherd Paris (1628)
- Thetis Receiving the Weapons of Achilles from Hephaestus (1630–1632)
- Venus Asks Vulcan to Forge Arms for her Son Aeneas (1630–1632)
- Cupid and Psyche (1638–1640)
- Cornelis van der Geest (1620)
- Theresa Shirley (1622)
- Robert Shirley (1622)
- Cardinal Guido Bentivoglio (c. 1623)
- The Lomellini Family (c. 1625–1627)
- Gaston, Duke of Orléans (1632 or 1634)
- Charles I with M. de St Antoine (1633)
- Equestrian Portrait of Francisco de Moncada (1634)
- Francisco de Moncada (1634)
- Thomas Francis, Prince of Carignano (1634)
- Charles I at the Hunt (c. 1635)
- Charles I in Three Positions (1635 or 1636)
- The Three Eldest Children of Charles I (Turin) (1635)
- The Three Eldest Children of Charles I (Royal Collection) (1636)
- Equestrian Portrait of Charles I (1637–1638)
- Triple Portrait of Henrietta Maria (1638)
- Mary Hill, Lady Killigrew (1638)
- William Killigrew (1638)
- Queen Henrietta Maria as St Catherine (1639)
- Luigia Cattaneo-Gentile (c. 1622)
- Magistrates of Brussels (Preparatory sketch) (1634–1635)
- Olivia Porter (1630s)
- Mary Villiers, Lady Herbert of Shurland (c. 1636)
- Lord John Stuart and his Brother, Lord Bernard Stuart (c. 1638)
- Vienna (1613–1614)
- New York (1620–1621)
- Self-Portrait with a Sunflower (1632–1633)
- Self-portrait with Sir Endymion Porter (1635)
- London (1640)
- A Soldier on Horseback (c. 1616)
- Mucius Scaevola before Lars Porsenna (c. 1618–1620)
- Hendrick van Balen the Elder (master)
- Peter Paul Rubens (master)
- Paul de Vos (collaborator)
- Van Dyke beard
Authority control databases  |
|
|---|
 | This article about a seventeenth-century painting is a stub. You can help Wikipedia by expanding it. |
- v
- t
- e
