Sanctuary of Bom Jesus de Matosinhos
- View a machine-translated version of the French article.
- Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
- Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
- You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is
Content in this edit is translated from the existing French Wikipedia article at [[:fr:Sanctuaire du Bom Jesus de Matosinhos]]; see its history for attribution.
- You may also add the template
{{Translated|fr|Sanctuaire du Bom Jesus de Matosinhos}}
to the talk page. - For more guidance, see Wikipedia:Translation.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/9/95/Site_map_of_the_Sanctuary_of_Bom_Jesus_de_Matosinhos.svg/220px-Site_map_of_the_Sanctuary_of_Bom_Jesus_de_Matosinhos.svg.png)
The Sanctuary of Bom Jesus de Matosinhos (Portuguese: Santuário do Bom Jesus de Matosinhos) is an 18th-century Roman Catholic basilica in Congonhas, Minas Gerais, Brazil.[1] It was designed in the Baroque style with an Italian-inspired Rococo interior. The basilica is noted for its grand outdoor stairway with statues of Old Testament prophets. The interior has seven side chapels which illustrate the Stations of the Cross; each has a polychrome sculpture made by the artist Aleijadinho (b. 1730 or 1738 – 1814) and his assistants. They are considered masterpieces of an original, moving, and expressive form of Baroque art. The basilica was listed as a historic structure by the National Institute of Historic and Artistic Heritage (IPHAN) in 1939, and designated at It is a UNESCO World Heritage Site in 1985.[1][2][3]
Location
The sanctuary is located on top of the Morro do Maranhão, a bluff that is part of the Serra do Ouro Branco. It is approached by steep, cobbled streets of the historic center of Congonhas.[3]
Bom Jesus de Matosinhos
The Sanctuary of Bom Jesus de Matosinhos is dedicated to Bom Jesus de Matosinhos, an invocation of Jesus related to a polychrome wood sculpture. This sculpture is displayed in Matosinhos, Portugal. People believe that it was created by Nicodemus who knew Jesus in his lifetime. The sculpture was said to be a perfect likeness of Jesus and it is the first depiction of Jesus that arrived in Portugal.[4]
History
The sanctuary was commissioned by Feliciano Mendes. Mendes made a promise to the Bom Jesus de Matosinhos after he recovered from a grave illness in 1757. When Mendes died in 1765, religious services started to be offered by the sanctuary.[4] The sculpture of Bom Jesus at Congonhas do Campo is seen as a powerful vehicle of intercession. It was believed that prayers uttered in front of the sculpture have a good chance of being answered, and it became a famous pilgrimage site with to which people travelled to ask Jesus for help and assistance.[4]
Structure
The plan of the church follows the Portuguese colonial baroque model, and is described as "the largest and most notable architectural and artistic ensemble in the country" by Maria Elisa Carrazzoni.[5] It has a rectangular floor plan, a single nave, a choir over the entrance, and a chancel separated from the nave by a monumental arch. Corridors around the chancel lead to a sacristy at the rear. The façade is also typical of the period, with a central block for the body of the church. A single entrance is adorned with a carved stone frame. The art historian Germain Bazin attributes the design of the elaborate frontispiece to Aleijadinho.[5][3]
The interior is richly decorated in the Rococo style, consisting of gilded carvings on the altars, statuary, and paintings on the ceilings and walls. The altars of the chancel arch were completed between 1765 and 1769 by Jerônimo Felix Teixeira. They were completed in 1772 by Manuel Rodrigues Coelho, and then gilded and painted by João Carvalhais (altar of Saint Anthony) and Bernardo Pires da Silva (altar of Saint Francis de Paula). João Antunes de Carvalho completed the high altar between 1769 and 1775. Francisco Vieira Servas sculpted two large torch-bearing angels that decorate the chancel in 1778. The four reliquaries are the work of Aleijadinho's workshop, and were painted by Mestre Ataíde. The painting of the chancel ceiling was carried out between 1773 and 1774 by Bernardo Pires da Silva; it depicts the burial of Jesus.[5][3]
Protection and management requirements
Since the sanctuary was designated an historical site in 1939, the National Institute of Historical and Artistic Heritage (Instituto do Patrimônio Histórico e Artístico Nacional – IPHAN) has worked to protect and conserve it. They aim to preserve the cultural property's significance and the values attributed to the sanctuary.[1]
Room of Miracles
On January 29, 1981, the Room of Miracles was considered a federal heritage site by IPHAN. This is an offering room where devotees donate objects to say thanks for the blessings that they received through Bom Jesus's intercession.[1]
References
- ^ a b c d "Sanctuary of Bom Jesus do Congonhas". UNESCO World Heritage Centre. Retrieved 2021-04-03.
- ^ "Sanctuary of Bom Jesus do Congonhas, World Heritage Site (Brazil) | LAC Geo". lacgeo.com. Retrieved 2021-04-03.
- ^ a b c d Fonseca, Cláudia Damasceno (2012). "Sanctuary of Bom Jesus de Matosinhos". Lisbon, Portugal: Heritage of Portuguese Influence/Património de Influência Portuguesa. Retrieved 2022-05-19.
- ^ a b c "Sanctuary of Bom Jesus de Matosinhos of Congonhas do Campo, 1757-1872". Khan Academy. Retrieved April 3, 2021.
- ^ a b c Maria Elisa Carrazzoni (1987), Guia dos bens tombados Brasil (in Portuguese) (2nd ed.), Expressão e Cultura, p. 197-198, Wikidata Q63090031
This article incorporates text by UNESCO available under the CC BY 3.0 license.
- v
- t
- e
![Flag of Brasil](http://upload.wikimedia.org/wikipedia/en/thumb/0/05/Flag_of_Brazil.svg/80px-Flag_of_Brazil.svg.png)
![Ruins of São Miguel das Missões](http://upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Ru%C3%ADnas_1.jpg/80px-Ru%C3%ADnas_1.jpg)
- Brazilian Atlantic Islands
- Fernando de Noronha and Atol das Rocas Reserves
- Discovery Coast Atlantic Forest Reserves1
- Historic Centre of São Luís
- Historic Centre of Salvador de Bahia
- Historic Centre of the Town of Olinda
- Lençóis Maranhenses National Park
- São Francisco Square in São Cristóvão
- Serra da Capivara National Park
- Brasília
- Cerrado Protected Areas
- Chapada dos Veadeiros and Emas National Park
- Historic Centre of the Town of Goiás
- Pantanal Conservation Area
- Atlantic Forest South-East Reserves1
- Discovery Coast Atlantic Forest Reserves1
- Historic Centre of the Town of Diamantina
- Historic Town of Ouro Preto
- Pampulha Modern Ensemble, Minas Gerais
- Paraty and Ilha Grande – Culture and Biodiversity
- Rio de Janeiro: Carioca Landscapes between the Mountain and the Sea
- Sanctuary of Bom Jesus de Matosinhos
- Sítio Roberto Burle Marx
- Valongo Wharf Archaeological Site
External links
- Explore the Sanctuary of Bom Jesus do Congonhas in the UNESCO collection on Google Arts and Culture
20°30′30″S 43°51′39″W / 20.5082°S 43.8608°W / -20.5082; -43.8608