Spring Symphony
- soprano
- alto
- tenor
- boys' choir
- mixed choir
- orchestra
Spring Symphony is a choral symphony by Benjamin Britten, his Opus 44. The work is scored for soprano, alto and tenor soloists, mixed choir, boys' choir and orchestra.[1] Britten used texts of several poems related to spring, mostly from the 16th and 17th centuries and also one by W. H. Auden.[2] Britten dedicated the work to Serge Koussevitzky and the Boston Symphony Orchestra. The work received its premiere in the Concertgebouw, Amsterdam on 14 July 1949 as part of the Holland Festival
History
Britten composed Spring Symphony on a commission by the Koussevitzky Music Foundation. He wrote it for soprano, alto and tenor soloists, mixed choir, boys' choir (often performed by children's choir instead) and orchestra.[3] He used poetry chiefly from the 16th and 17th century, by Edmund Spenser, John Clare and George Peele, among others, and also the 20th century poem 'Out on the lawn I lie in bed' by W. H. Auden. In the composer's own words, the work represents "the progress of Winter to Spring and the reawakening of the earth and life which that means".[3]
The choral symphony was premiered in the Concertgebouw, Amsterdam,[3] on Thursday 14 July 1949 (not 9 July which is quoted by many sources) as part of the Holland Festival,[4] when the composer was age 35. At the premiere, the soloists were soprano Jo Vincent, contralto Kathleen Ferrier, and tenor Peter Pears,[5] with Eduard van Beinum conducting the Concertgebouw Orchestra of Amsterdam, the Netherlands Radio Choir, and the Boys' Chorus of St. Willibrord's Church, Utrecht. A recording of the performance survives and was issued by Decca in 1960. On 9 March 1950, van Beinum conducted the work at the Royal Albert Hall with the London Philharmonic Orchestra and the London Philharmonic Choir.[6] The American premiere was by the Boston Symphony Orchestra at Tanglewood in August 1950.[3] In October 1950, Spring Symphony was performed at the Leeds Triennial Musical Festival with a choir of 100 boys.[7][8]
Structure and music
Spring Symphony is made up of four parts, which correspond to the movements of a conventional symphony: Allegro with slow introduction, slow movement, scherzo, and finale. Part I begins with the dark and mysterious "Shine Out", a poem to the sun. Several more songs follow, including "The Driving Boy", sung by the boys' choir, at times whistling, with tambourine. The second part has several solos and quiet choruses and references to the month of May. The third part looks forward to May and then to summer. The Finale, "London, to thee I do present", comes to a climax when the entire chorus joins in a wordless, full-throated waltz representing the May revellers fortified by wine and ale (borne out by some rather unexpected modulations). The climax of the movement is the moment when the children's voices, accompanied by unison French horns, re-enter the scene and sing the 13th century round "Sumer is icumen in".[3] The simple tune, sung in 2
4 time over the unyielding 3
4 waltz of the rest of the ensemble, finally achieves dominance. Eventually the celebrations subside, and the Maylord then offers a final blessing with the proclamation: "And so, my friends, I cease."[9]
The large orchestra includes triple woodwinds, two harps, and a large percussion section.[3][10] Each song has its distinctive scoring,[10] ranging from just first and second violins accompanying the tenor (Waters Above!) to full orchestra in the first and last songs.[3] The last movement adds the call of a cow-horn, specifying a G, C, and F.[9] The duration is given as 45 minutes.[3]
Poems in the Spring Symphony
The poems (and authors) in the Spring Symphony are as follows:[3]
Part 1
- Introduction: "Shine out" (Anonymous) (mixed chorus)
- "The Merry Cuckoo" (Edmund Spenser) (tenor solo)
- "Spring, the Sweet Spring" (Thomas Nashe) (soprano, alto and tenor soli, mixed chorus)
- "The Driving Boy" (George Peele, John Clare) (soprano solo and boys' choir)
- "The Morning Star" (John Milton) (mixed chorus)
Part 2
- "Welcome, Maids of Honour" (Robert Herrick) (alto solo)
- "Waters Above!" (Henry Vaughan) (tenor solo)
- "Out on the lawn I lie in bed" (W. H. Auden) (alto solo and mixed chorus)
Part 3
- "When will my May come?" (Richard Barnfield) (tenor solo)
- "Fair and fair" (George Peele) (soprano and tenor soli)
- "Sound the flute!" (William Blake) (male chorus, female chorus and boys' choir)
Part 4
- Finale: "London, to thee I do present" (Anon, closing words from The Knight of the Burning Pestle by Francis Beaumont) (soprano, alto and tenor soli, mixed chorus and boys' choir)
- "Sumer is icumen in", simultaneously
Discography
- Decca: Jo Vincent, Kathleen Ferrier, Peter Pears (vocal soloists); Concertgebouw Orchestra of Amsterdam, Netherlands Radio Choir, Boys' Chorus of St. Willibrord's Church, Utrecht; Eduard van Beinum (conductor; from archival Dutch radio recording of the premiere, 14 July 1949)
- Decca: Jennifer Vyvyan, Norma Procter, Peter Pears (vocal soloists); Orchestra and Chorus of the Royal Opera House, Chorus of Boys from Emanuel School, Wandsworth; Benjamin Britten (conductor)
- New York Philharmonic Editions: Jennifer Vyvyan, Regina Sarfaty, Richard Lewis; New York Philharmonic Orchestra, Boys' Choir from The Little Church Around the Corner, Boys' Choir from St. Paul's Church (Westfield, New Jersey, USA); Leonard Bernstein, conductor (live recording from May 1963)
- EMI Classics: Sheila Armstrong, Janet Baker, Robert Tear (vocal soloists); London Symphony Orchestra, London Symphony Chorus; St Clement Danes School Boys' Choir; André Previn (conductor)
- Chandos: Elizabeth Gale, Alfreda Hodgson, Martyn Hill (vocal soloists); London Symphony Orchestra, London Symphony Chorus, Southend Boys' Choir; Richard Hickox (conductor)
- Deutsche Grammophon: Alison Hagley, Catherine Robbin, John Mark Ainsley (vocal soloists), Philharmonia Orchestra, Salisbury Cathedral Choristers, Monteverdi Choir; Sir John Eliot Gardiner (conductor)
- LSO Live: Elizabeth Watts, Alice Coote, Allan Clayton (vocal soloists); London Symphony Orchestra, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir; Sir Simon Rattle (conductor)
References
- ^ Stein, Erwin (Spring 1950). "Britten's Spring Symphony". Tempo. 15: 19–24. doi:10.1017/S0040298200043230. JSTOR 942357.
- ^ Bayan Northcott (5 March 1999). "Britten's spring awakening". Retrieved 12 April 2024.
- ^ a b c d e f g h i Spicer, Paul. "Spring Symphony op. 44 (1949)". Boosey & Hawkes. Retrieved 6 March 2024.
- ^ "Britten timeline". brittenpears.org. Retrieved 20 August 2012.
- ^ Achenbach, Andrew (June 1997). "Britten Spring Symphony etc". Gramophone. Retrieved 6 March 2024.
- ^ Berkeley, Lennox (July 1950). "Britten's Spring Symphony". Music & Letters. 31 (3): 216–219. JSTOR 942357.
- ^ "Official Souvenir Programme: 1950 - Leeds Triennial Musical Festival". (LTMF Committee) - City of Leeds UK 1950. Retrieved 22 September 2015.
6 October 1950 - to be conducted by the composer (B. Britten) Halle Orchestra
- ^ Leeds Classical Music. "Discovering Leeds - (The Leeds) Triennial Music Festivals". Leeds City Council UK - 2003. Retrieved 21 September 2013.
...Spring Symphony performed October 6, 1950 (at the LTMF)...
- ^ a b Britten, Benjamin (1949). Spring Symphony. Op. 44. For soprano, alto and tenor soli, mixed chorus, boys' choir and orchestra. Full score. London: Hawkes & Son. ASIN B0000CTOU1.
- ^ a b Walker, Lucy. "Work of the Week 12. Spring Symphony". Britten Pears Arts. Retrieved 6 March 2024.
- v
- t
- e
- Paul Bunyan (1941)
- Peter Grimes (1945)
- The Rape of Lucretia (1946)
- Albert Herring (1947)
- The Little Sweep (1949)
- Billy Budd (1951)
- Gloriana (1953)
- The Turn of the Screw (1954)
- Noye's Fludde (1958)
- A Midsummer Night's Dream (1960)
- Owen Wingrave (1971)
- Death in Venice (1973)
- Curlew River (1964)
- The Burning Fiery Furnace (1966)
- The Prodigal Son (1968)
- Plymouth Town (1931)
- Night Mail (1936)
- The Prince of the Pagodas (1956)
- Sinfonietta (1932)
- Simple Symphony (1934)
- Soirées musicales (1937)
- Variations on a Theme of Frank Bridge (1937)
- Mont Juic (1937)
- Sinfonia da Requiem (1940)
- Matinées musicales (1941)
- The Young Person's Guide to the Orchestra (1946)
- Piano Concerto (1938, rev. 1945)
- Violin Concerto (1939, rev. 1958)
- Young Apollo (1939)
- Diversions for Piano Left Hand and Orchestra (1940 rev. 1954)
- Cello Symphony (1963)
- Our Hunting Fathers (1936)
- The Company of Heaven (1937)
- Les Illuminations (1939)
- Serenade for Tenor, Horn and Strings (1943)
- Saint Nicolas (1948)
- Spring Symphony (1949)
- Nocturne (1958)
- Cantata academica (1959)
- War Requiem (1961)
- Cantata misericordium (1963)
- Children's Crusade (1969)
- Phaedra (1975)
- Beware! Three Early Songs (1922–26)
- Seven Sonnets of Michelangelo (1940)
- The Holy Sonnets of John Donne (1945)
- Britten's Purcell realizations (1945)+
- 5 Canticles (1947–75, including Canticle I: My beloved is mine and I am his, Canticle II: Abraham and Isaac (1952), Canticle III: Still falls the rain (1954) and Canticle IV: The Journey of the Magi (1971)
- A Charm of Lullabies (1947)
- Winter Words (1954)
- Songs from the Chinese (1957)
- Sechs Hölderlin-Fragmente (1958)
- Songs and Proverbs of William Blake (1965)
- The Poet's Echo (1965)
- Who Are These Children? (1969)
- A Birthday Hansel (1975)
- Friday Afternoons (1932–1935)
- A Boy was Born (1933)
- Te Deum in C (1934)
- Advance Democracy (1938)
- A Ceremony of Carols (1942)
- Hymn to St Cecilia (1942)
- Festival Te Deum (1944)
- Rejoice in the Lamb (1943)
- Five Flower Songs (1950)
- Hymn to St Peter (1955)
- Missa Brevis (1959)
- A Hymn of St Columba (1962)
- The Golden Vanity (1966)
- Children's Crusade (1968)
- Sacred and Profane (8 medieval lyrics) (1974)
- Jubilate Deo (1961)
- String Quartet in D major (1931)
- Phantasy Quartet (oboe quartet, 1932)
- String Quartet No. 1 (1941)
- String Quartet No. 2 (1945)
- Prelude and Fugue on a Theme of Vittoria (organ, 1946)
- Six Metamorphoses after Ovid (oboe, 1951)
- Fanfare for St Edmundsbury (three trumpets, 1959)
- Cello sonata (1961)
- Nocturnal after John Dowland (guitar, 1963)
- Cello suites (1964, 1967, 1972)
- String Quartet No. 3 (1975)
- Homage to Paderewski (1941)
- Variations on an Elizabethan Theme (1953)
- War Requiem (1989 film)
- Benjamin Britten (train)
- Benjamin Britten Academy
- Britten Inlet
- Britten Hall
- Britten Sinfonia
- Benjamin Britten: A Life in the Twentieth Century
- Britten's Children
- Cantus in Memoriam Benjamin Britten
- English Opera Group
- The Dark Tower
- Scallop (2003)
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