The Cliff Walk at Pourville
The Cliff Walk at Pourville is an 1882 painting by the French Impressionist painter Claude Monet. It currently resides at the Art Institute of Chicago. It is a landscape painting featuring two girls atop a cliff above the sea.
The canvas was inspired by an extended stay at Pourville in 1882. Monet settled in the village between February and mid-April, during which time he wrote to his future wife, Alice Hoschedé, "How beautiful the countryside is becoming, and what joy it would be for me to show you all its delightful nooks and crannies!" They returned in June of that year. The two young girls standing atop the cliff may be Hoschedé's daughters, Marthe and Blanche;[1] it has also been suggested that the figures represent Alice and Blanche, both of whom painted out of doors at that time.[2]
The various elements of the painting are unified through brushwork; short, crisp strokes were used to paint the grasses of the cliff, the girls' drapery and the distant sea. A sense of movement suggested by painterly calligraphy was a property of Monet's work in the 1880s, and is here used to connote the effect of a summer wind upon figures, land, water, and clouds moving across the sky.[3] During the painting process, Monet reduced the size of a rocky promontory at far right, to better balance the composition's proportions;[4] however, it's also been noted that this secondary cliff was a late addition to the canvas, and was not part of the original design.[5] An X-ray of the painting indicates that the artist originally painted a third figure into the grouping, then removed it.[6]
Describing similar works by the artist, art historian John House wrote, “His cliff tops rarely show a single sweep of terrain. Instead there are breaks in space; the eye progresses into depth by a succession of jumps; distance is expressed by planes overlapping each other and by atmospheric rather than linear perspective- by softening the focus and changes of color.”[7] The sense of immediacy is heightened by the juxtapositions of the cliff and sea, the contrast between ground and openness.
See also
References
- ^ Art Institute of Chicago
- ^ Robert L. Herbert, Monet on the Normandy Coast: Tourism and Painting, 1867-1886, (New Haven: Yale University Press, 1996), 45
- ^ Heather Lemonedes, et al, Monet in Normandy, (New York: Rizzoli, 2007), 104
- ^ Art Institute of Chicago
- ^ Lemonedes, 104-106
- ^ Lemonedes, 106
- ^ John House, Monet: Nature into Art, (New Haven: Yale University Press, 1986), 112.
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- View from Rouelles (1858)
- Le Déjeuner sur l'herbe (Paris / Moscow) (1865–1867)
- A Cart on the Snowy Road at Honfleur (1865)
- Camille (1866)
- Women in the Garden (1866)
- Woman in the Garden (1866)
- Regatta at Sainte-Adresse (1867)
- The Beach at Sainte-Adresse (1867)
- Garden at Sainte-Adresse (1867)
- The Road in Front of Saint-Simeon Farm in Winter (1867)
- On the Bank of the Seine, Bennecourt (1868)
- L'Enfant a la tasse (1868)
- The Magpie (1868)
- Interior, after Dinner (1868-69)
- The Red Cape (1868–73)
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- The Seine at Argenteuil (1873)
- Argenteuil Basin with a Single Sailboat (1874)
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- Snow at Argenteuil (1875)
- The Train in the Snow (1875)
- Woman with a Parasol – Madame Monet and Her Son (1875)
- A Corner in the Garden at Montgeron (1876)
- The Studio Boat (Le Bateau-atelier) (1876)
- La Japonaise (1876)
- Arrival of the Normandy Train, Gare Saint-Lazare (1877)
- Waves Breaking (1881)
- Beach in Pourville (1882)
- Portrait of Père Paul (1882)
- The Cliff Walk at Pourville (1882)
- Anglers on the Seine at Poissy (1882)
- Stormy Sea at Étretat (1883)
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- Study of Rocks; Creuse (1889)
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- Water Lilies (1897–1926)
- Camille Doncieux (first wife)
- Alice Hoschedé (second wife)
- Jean Monet (son)
- Michel Monet (son)
- Suzanne Hoschedé (step-daughter)
- Blanche Hoschedé Monet (step-daughter and daughter-in-law)
- Theodore Earl Butler (son-in-law, married Monet's step-daughters, Suzanne and Marthe)
- Jacques-François Ochard (teacher)
- Eugène Boudin (teacher)
- Ernest Hoschedé (patron)
- Paul Durand-Ruel (dealer)
- The Improvised Field Hospital (1865 painting)
- A Studio at Les Batignolles (1870 painting)
- Claude Monet Painting in His Garden at Argenteuil (1873)
- Claude Monet Painting in his Studio (1874 painting)
- Portrait of the Painter Claude Monet (1875 painting)
- Monet: The Mystery of the Orangery (2000 video game)
- The Impressionists (2006 series)
- Pays des Impressionnistes
- Monet (crater)