The Yeezus Tour

The Yeezus Tour

World tour by Kanye West
Associated album	Yeezus
Start date	October 19, 2013 (2013-10-19)
End date	September 15, 2014 (2014-09-15)
Legs	3
No. of shows	45
Box office	$31.8 million
Kanye West concert chronology
Watch the Throne Tour (2011–12) The Yeezus Tour (2013–14) Saint Pablo Tour (2016)

The Yeezus Tour was the fourth concert tour by American rapper Kanye West, in support of West's sixth solo studio album, Yeezus (2013).^[1] The venture served as West's first solo concert tour in five years. Kendrick Lamar, A Tribe Called Quest, Travis Scott, and Pusha T served as opening acts on select dates. It had the second highest grossing leg of a tour in 2013, behind Paul McCartney's Out There! Tour.^[2] It was the highest-grossing hip-hop tour of 2013, at $31.8 million from 33 shows.^[3]

In June 2013, West's sixth studio album Yeezus was released to commercial success, reaching number one in 31 countries. Co-producer Mike Dean subsequently confirmed that a tour would be held for the album with him as a backing performer.^[4] On September 6, 2013, West announced The Yeezus Tour by tweeting "TOUR" along with a promotional image showing the album's title and him dangling backwards with his arms.^[5] West shared 23 dates and the accompaniment of an opening act from fellow rapper Kendrick Lamar, who was scheduled for all but five dates that had a "special guest" set instead.^[6] Tickets went on sale the week after West's announcement and tour dates ran from October 19–December 7, 2013, venturing across the United States and also visiting Canada;^[5][6][7] the opening city of Seattle was where he also first performed for the Glow in the Dark Tour.^[8] A press release said that the tour will combine "state-of-the-art staging, production, and lighting design with his unmatched aesthetic", creative mind, and decade-long discography of singles.^[5] It stood as West's first solo tour since the Glow in the Dark Tour five years prior; he did not tour for his fifth album My Beautiful Dark Twisted Fantasy due to a lack of sponsorship in 2010.^[7] West had previously performed tracks from Yeezus live for television shows, including "Black Skinhead" on Saturday Night Live and "Blood on the Leaves" at the 2013 MTV Video Music Awards.^[9]

For the tour's show at Las Vegas' Grand Garden Arena on October 25, 2013, rapper Pusha T served as the opening act. A Tribe Called Quest opened the concerts in New York at the Barclays Center and Madison Square Garden on November 20 and 24, respectively, marking the group's first shows since California in August.^[10][11] They insisted on doing these final two concerts in their home city, although later performed together again for a 2017 tour that ended at the English festival Bestival.^[11][12] On October 30, 2013, West's tour truck was involved in an accident on the way to a concert in Vancouver. The vehicle carried custom-made video screens and equipment, which was damaged beyond repair and this caused the show's cancellation since it was central to the staging.^[13] West also cancelled tour dates in Denver, Columbus, Montreal, Minneapolis, and St. Louis, with Def Jam citing "routing logistics".^[14] Shows in Chicago, Toronto, and Detroit were rescheduled to later dates. The tour resumed at the Wells Fargo Center in Philadelphia on November 6, 2013.^[14] At a show in New York on November 20, West revealed that filmmaker Alejandro Jodorowsky's 1973 cult film The Holy Mountain was an inspiration for The Yeezus Tour. The influences included mountain imagery, face masks, and characters portraying Jesus.^[15] West and Jodorowsky met each other in June 2014; he was taken aback by the rapper's pureness and deep desire to craft "a work that develops the consciousness of young people".^[16]

West said that the initial idea of The Yeezus Tour came from him thinking about the end of the world, which influenced explosions, fire, mountains, masked beings and Christian symbolism as prominent imagery during the show. Fashion was an important element of the tour's visual identity. Family New York, Vanessa Beecroft, Es Devlin and John McGuire created the scenography. The stage used during the tour heavily resembled a fashion catwalk.^[17] Maison Martin Margiela and West worked together to create fashion pieces and outfits for the tour. Another influence for the stage setup, according to West, came from the 1973 film The Holy Mountain, a "biblical redemption story". This can be seen with one of the stages main features; a 50-foot high mountain, called Mount Yeezus by some,^[17][18][19] that could change its appearance into that of a volcano. The foot of the mountain then lead to a secondary stage that elevated up to the pointed main stage, which was also motorized. Above the mountain, a 60-foot wide circular LED screen was placed along with a custom sound system by DONDA.^[17]

The performances were separated into five parts, Fighting, Rising, Falling, Searching and Finding. The division serves to frame it in a theme of redemption. All performances featured 12 female dancers.

On January 7, 2014, West added 9 new dates to the tour, starting on February 13 on Penn State University Park and ending on February 23 at Uniondale, New York.^[20]

In February 2014, dates were announced for an Australian leg of the Yeezus Tour, beginning May 2 at Perth Arena.^[21] However, in early April West postponed his Australian leg until September, using the months in-between to work on his seventh studio album, which later became The Life of Pablo.^[22] The performances in Australia had a significantly more minimal visual production, compared to the previous shows.

The tour was met with rave reviews from critics.^[23][24] Rolling Stone described it as "crazily entertaining, hugely ambitious, emotionally affecting (really!) and, most importantly, totally bonkers."^[23] Writing for Forbes, Zack O'Malley Greenburg praised West for "taking risks that few pop stars, if any, are willing to take in today's hyper-exposed world of pop", describing the show as "overwrought and uncomfortable at times, but [it] excels at challenging norms and provoking thought in a way that just isn’t common for mainstream musical acts of late."^[25] NY Daily News wrote that "the show wasn’t about crowd-pleasing. It was about unyielding beats, hellish textures and a brusque flow, all delivered with an impact every bit as stunning as West's ego itself."^[26] In 2019, Vivid Seats named it the 68th greatest tour of all time.^[27]

The tour told a story of redemption through 5 stages. West performed every track from Yeezus, along with some songs from his previous records.^[28]

1. "On Sight"
2. "New Slaves"
3. "Send It Up"
4. "Mercy"

1. "Power"
2. "Cold"
3. "I Don't Like"
4. "Clique"
5. "Black Skinhead"
6. "I Am a God"
7. "Can't Tell Me Nothing (Remix)"
8. "Coldest Winter"

1. "Hold My Liquor"
2. "I'm In It"
3. "Guilt Trip"
4. "Heartless"
5. "Blood on the Leaves"

1. "Lost in the World"
2. "Runaway"
3. "Street Lights"

1. "Stronger"
2. "Through the Wire"
3. "Jesus Walks"
4. "Diamonds From Sierra Leone"
5. "Flashing Lights"
6. "All of the Lights"
7. "Good Life"
8. "Bound 2"

The tour featured the unreleased track - "I Am Not Home", which was used as an opener for the sets, along with part of Mozart’s Lacrimosa.

The following individuals were involved with the production:

• Mike Dean
• Noah Goldstein
• Che Pope^[34]
• Renelou Padora^[35]
• Don C^[36]
• Elon Rutberg^[37]
• Ibn Jasper^[38]
• Virgil Abloh^[39]
• Vanessa Beecroft
• Yemi A.D.
• Izvor Zivkovic^[40]
• Matthew Williams^[41]
• Alex Rosenberg^[42]
• Jerry Lorenzo^[43]
• Tracey Mills
• Dan Gieckel
• Mano (tour Dj)
• Ricky Anderson
• Sakiya Sandifer
• Justin Saunders^[44]
• Pascal Duvier

In February 2014, West uploaded a trailer of a film connected with the tour to his website.^[45] In October 2023, Hype Williams in an interview with Complex explained why the film was never released:

So we decided we're gonna do a partnership. His job was to clear everything and then get it a distributor. My job was to shoot it. So we went and shot it. And it's based on the tour. We shot in two cities, Chicago and Toronto. And then a dress rehearsal where we were allowed to film the entirety of the concert, but with no people in the stadium. So I was literally able to shoot the details and close-ups of every costume and of every part of the show as if it was a video. I had free rein to do it, and we filmed all these things and it kind of got lost in what he was meant to do in terms of the agreement. I had to deliver the film, and he had to deliver some things that fell by the wayside. So by the time we got together, he already did The Life of Pablo. And he was like, “Yo, let’s just make this part of Life of Pablo.” So then we went and shot an additional bunch of stuff, which was the “Highlights” video. We shot a “Waves” video. We shot in Scotland. All over Iceland.

Scooter Braun and I spent six months with IMAX to release it, and when it came to the signing of it, that’s exactly when all that shit happened with Kim in Paris, and he got lost in himself and the whole thing fell to the wayside again. So no one, even Kanye, has seen Yeezus. We shot it in 2014 by the way. This is like us having like The Rolling Stones concert or some shit, or like The Beatles’ A Hard Day's Night. Like, that’s the level of movie Yeezus is, and no one has even seen it. So it may come back in a big way because that Kanye doesn’t exist anymore. So it’s historic. And by the way, it's flawless. Like, this Yeezus movie is mind-blowing like. It’s like some Pink Floyd shit. I'm lucky he allowed me to just do it. Me, him, and Drake was onstage together in Toronto for that show. It was 2014. So it'll come up in some capacity, but now it's really rock ‘n’ roll history.^[46]