Camillus Handing the Falerian Schoolmaster over to his Pupils
![](http://upload.wikimedia.org/wikipedia/commons/thumb/c/ce/Camille_livre_le_ma%C3%AEtre_d%27%C3%A9cole_de_Fal%C3%A9ries_%C3%A0_ses_%C3%A9coliers_-_Nicolas_Poussin_-_Louvre.jpg/300px-Camille_livre_le_ma%C3%AEtre_d%27%C3%A9cole_de_Fal%C3%A9ries_%C3%A0_ses_%C3%A9coliers_-_Nicolas_Poussin_-_Louvre.jpg)
Camillus Handing the Falerian Schoolmaster over to his Pupils is a 1637 oil on canvas painting by Nicolas Poussin, in the Louvre since its seizure for the state in 1794. It shows a scene from the capture of Falerii in Chapter 10 of Camillus, one of the Parallel Lives by Plutarch, in which Marcus Furius Camillus punishes a Falerian schoolmaster who hoped to gain favour by handing over his pupils to the Romans besieging the city.[1]
It was one of nine works commissioned by Louis Phélypeaux, Seigneur of La Vrillière for the gilded gallery at his new hôtel de La Vrillière in Paris. Henri Sauval accounted Camillus the finest of the set.[2] Camillus and the hôtel were sold in 1705 to Louis Raulin Rouillé (contrôleur général des Postes), then in 1713 by Rouillé's widow to Louis-Alexandre de Bourbon. They both passed to his son Louis de Bourbon, duc de Penthièvre, from whom they were seized in 1794.
References
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- The Battle between the Israelites and the Amorites (c. 1625)
- Joshua's Battle against the Amalekites (c. 1625)
- Venus and Adonis (1626)
- The Capture of Jerusalem by Titus (1626; 1635)
- The Death of Germanicus (1627)
- Saint Cecilia (1627–1628)
- Echo and Narcissus (1627–1628)
- The Martyrdom of Saint Erasmus (1628–1629)
- The Mystic Marriage of Saint Catherine (1628–1629)
- Plague of Ashdod (1628–1630)
- Cephalus and Aurora (c. 1629–1630)
- The Inspiration of the Poet (1629–1630)
- Sleeping Venus with Cupid (1628–1630)
- Saint James the Great's Vision of the Virgin Mary (1629–1630)
- Venus Weeping for Adonis (c. 1630)
- The Massacre of the Innocents (1625–1632)
- Parnassus (1631–1633)
- A Bacchanalian Revel Before a Term (1632–1633)
- The Adoration of the Golden Calf (1633–1634)
- Adoration of the Shepherds (1633–1634)
- The Crossing of the Red Sea (1633–1634)
- The Rape of the Sabine Women (1634–1635, 1637–1638)
- A Dance to the Music of Time (1634–1636)
- Triumph of Neptune and Amphitrite (c. 1636)
- Camillus Handing the Falerian Schoolmaster over to his Pupils (1637)
- Et in Arcadia ego (1637–38)
- Seven Sacraments (first series 1637–1640; second series 1644–1648)
- Theseus Rediscovering His Father's Sword (1638)
- The Manna (1638–1639)
- Extreme Unction (1638–1640)
- The Continence of Scipio (1640)
- Landscape with Saint John on Patmos (1640)
- The Funeral of Phocion (1648)
- Landscape with the Ashes of Phocion (1648)
- Eliezer and Rebecca (1648-1649)
- The Judgement of Solomon (1649)
- Landscape with Polyphemus (1649)
- Self-Portrait (1649)
- Landscape with Three Figures (1645–1650)
- Landscape with Orpheus and Eurydice (1650–1653)
- The Flight into Egypt (1657–1658)
- Blind Orion Searching for the Rising Sun (1658)
- Landscape with Two Nymphs (1659)
- Landscape with Hercules and Cacus (c. 1660)
- The Four Seasons (1660–1664)
- Apollo and Daphne (1661–1664)
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