The Adoration of the Golden Calf
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The Adoration of the Golden Calf | |
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Artist | Nicolas Poussin |
Year | 1633–1634 |
Medium | Oil on canvas |
Dimensions | 154 cm × 214 cm (61 in × 84 in) |
Location | National Gallery, London |
The Adoration of the Golden Calf is a painting by Nicolas Poussin, produced between 1633 and 1634. It depicts the adoration of the golden calf by the Israelites, from chapter 32 of the Book of Exodus. It was made as part of a pair of paintings (the other being The Crossing of the Red Sea) commissioned by Amadeo dal Pozzo, Marchese di Voghera of Turin, a cousin to Cassiano dal Pozzo, Poussin's main sponsor in Rome. By 1685 the pair had passed to the Chevalier de Lorraine and in 1710 they were bought by Benigne de Ragois de Bretonvillers. In 1741 they were bought from Samuel by Sir Jacob Bouverie, whose son William became the first Earl of Radnor. The Earls of Radnor owned the pair from then until 1945, when it was split for the first time and The Adoration of the Golden Calf bought by the National Gallery in London for £10,000, half of which was contributed by the Art Fund.[1] (The Crossing of the Red Sea was bought in the same 1945 sale by the National Gallery of Victoria.) It now hangs in Room 19 of the National Gallery, where it and Poussin's The Adoration of the Shepherds were vandalised with red spray paint on 17 July 2011.[2][3] The French-speaking vandal covered up most of the nude figures.[2]
See also
References
- ^ "The Adoration of the Golden Calf by Nicolas Poussin".
- ^ a b Wilson, Cherry (16 July 2011). "Man held after Poussin painting is vandalised at National Gallery". The Observer. Archived from the original on 10 May 2021.
- ^ "Poussin paintings vandalised at National Gallery". BBC News. 18 July 2011. Archived from the original on 14 May 2021.
External links
- National Gallery catalogue entry
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- The Death of Chione (1622)
- The Battle between the Israelites and the Amorites (c. 1625)
- Joshua's Battle against the Amalekites (c. 1625)
- Venus and Adonis (1626)
- The Capture of Jerusalem by Titus (1626; 1635)
- The Death of Germanicus (1627)
- Saint Cecilia (1627–1628)
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- The Martyrdom of Saint Erasmus (1628–1629)
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- The Massacre of the Innocents (1625–1632)
- Parnassus (1631–1633)
- A Bacchanalian Revel Before a Term (1632–1633)
- The Adoration of the Golden Calf (1633–1634)
- Adoration of the Shepherds (1633–1634)
- The Crossing of the Red Sea (1633–1634)
- The Rape of the Sabine Women (1634–1635, 1637–1638)
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- The Funeral of Phocion (1648)
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- The Judgement of Solomon (1649)
- Landscape with Polyphemus (1649)
- Self-Portrait (1649)
- Landscape with Three Figures (1645–1650)
- Landscape with Orpheus and Eurydice (1650–1653)
- The Flight into Egypt (1657–1658)
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- Landscape with Two Nymphs (1659)
- Landscape with Hercules and Cacus (c. 1660)
- The Four Seasons (1660–1664)
- Apollo and Daphne (1661–1664)
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